June 21st, 2019
Festival season is in full swing, but fear not if you haven’t been able to secure tickets to Glasto, as there’s a mighty array of other festivals in store for July that offer just as much summer punch. Here’s a few to tentyour appetite…
Let’s not kid ourselves – a music festival is just as much about the food! For those that highly regard their outdoor grub, you’ll be truly feasting at Cornbury. The Hairy Bikers have their very own pop-up festival restaurant, complete with wood fired menu offerings. As for the music line-up, it’s an eclectic mix of feel-good-folk alongside nostalgic icons (BEACH BOYS!) Situated in a picture-perfect hideaway in The Cotswolds, this festival ticks all the boxes without feeling full of itself.
Cornbury Festival takes place 5th– 7thJuly 2019
Book tickets and find out more HERE!
Filling the void that The Secret Garden Party recently left, Latitude is the artistic and spiritual sanctuary for festival goers this year. You’re encouraged to embark on a cultural safari across the arts, taking in comedy, theatre, dance and more. There’s even nearby sheep and a lake, could you ask for more!? Okay maybe you could – line-up wise there’s the other worldly Miss Lana Del Ray, through to the trash of Slaves and singalong number 1s from George Ezra. Bliss!
Latitude Festival takes place 18-21stJuly 2019
Book tickets and find out more HERE!
This boutique festival was born from a birthday barbecue – and is held on the private grounds of a Lordship – pretty cool right? Feeling like a country fair on a mega scale, the arts ‘n’ craft experience is given a seriously cool lick of paint – everything from den making to hula hooping and denim DYI’ing is up for attendance. Music wise you’re in for a treat too – Rag ‘N’ Bone Man, Wolf Alice and Friendly Fires are just a few of the indie heavyweights taking to Hertfordshire!
Standon Calling takes place 25th– 28thJuly 2019
Book tickets and find out more HERE!
Straight out of the idyllic Oxfordshire countryside, Truck has gained cult status thanks to its billing of emerging acts that years later become the hottest property! For the music geek that craves an intimate festival surrounding, hop on board the truck! Headliners this year include the psychedelic Foals, and man-of-the-moment Lewis Capaldi.
Truck Festival takes place 26th– 28thJuly 2019
Book tickets and find out more HERE!
BEAT HERDER FESTIVAL
Beat Herder is hard to believe until you see it. Where stages become wonderlands, you’ll find yourself lost in its electronic wilderness within minutes of arrival. Stage names include The Fortess, Trash Manor and The Perfumed Garden – need we say more? Oh and then there’s the music – with beats from the likes of Rudimental, Groove Armada and Basement Jaxx, you’ll wonder if you ended up in the dance shed at Glasto after all!
The Beat-Herder Festival takes place 12th– 14thJuly 2019
Book tickets and find out more HERE!
May 30th, 2019
With the festival-friendly release of new single ‘You Told Me You Loved Me’, we couldn’t resist inviting Casey Lowry in for a natter. Here’s what he had to say…
Introduce yourself as if this was a dating app bio
Hi I’m Casey, I’m on tour, please date me.
Your bio says you’re a geek for gaming – what sort of life have you created on The Sims back in the day?
I just used to make my character sleep or eat all day.
What are your earliest memories connected with music?
I remember resting my head on a piano and it sounding so nice…after that all I wanted to do was play it.
Was there ever a time when your career was heading in a different direction, and how did you get into music as a profession?
Not really, I kind of suck at everything else. I wanted to be a doctor at one point then realised I hated blood.
You mentioned that when your debut single Trampoline propelled unexpectedly to the Radio 1 playlist, that you were still working the door to your gigs at the time! How did that first burst of fame and success change things and your live shows?
It provided me with a platform to jump off. Big industry people started taking notice and I got loads of free food because of it.
How do you define success?
I’m actually not sure yet, I think I connect it with happiness and stability.
If you could let fame get to your head in the most fantastical way, what would be on your fictional rider?
Goats to hang around in my dressing room until I play the show.
Should have asked this at the start really – but better late than never – how would you describe your sound!?
If you’d have asked me a year I’d have given you the most rehearsed answer ever, but I guess now I’d just call it guitar pop .
Who or what influences you?
Tragically I used to watch YouTube videos of people getting paid to travel the world and it was probably that background music.
Talk to us about your new single ‘You Told Me You Loved Me’
In short, it’s basically about how men should speak out if they ever feel a bit shit…bottling it up is not good.
Funniest date let-down/excuse you’ve been served?
“I broke my leg”.
We recently invited you into our Regent Street flagship, and loved having you. What did you make of the brand, and what did you pick out?
I loved it, loads of colours and very comfy. I picked out some dungarees and loads of shirts!
What can we expect from the rest of your summer and 2019?
Festivals, gigs….that kinda stuff. Oooooo and NEW MUSIC!
May 29th, 2019
Your bio states that you were born into a family of dancers and record collectors – please discuss.
My dad was a dancer on the London club scene, soul boy through & through and big record collector. Growing up, a normal Saturday night in my house involved my dad stood in the living room, selecting records and retelling stories on famous dance offs! In addition to this, my uncle, Norman Jay MBE gave me so much guidance, direction and support.
First track that took you to another place?
Inner Life – I’m Caught Up. Even until today, this brings up all kinds of emotions. This is and will forever be one of my all-time favourite songs. One of Jocelyn Browns finest moments and of course a nod to Leroy Burgess & Patrick Adams, Pioneers of the disco movement.
A DJ deck/station can look pretty intricate and intimidating – how was it for you learning the trade?
I guess I practiced a lot at home first, then got some more experience in small bars before I stepped into some of the super clubs. To be honest, once you’ve been in one, they’re pretty much all the same. Even if you ignored all of the knobs, faders, spinny things and lights, the goal remains the same; make the people dance!
What was your first or defining DJ gig/moment?
My first…Notting Hill Carnival springs to mind. The family sound system, Good Times was the largest plot at Europe’s largest street festival. For 10 years I worked the bar, then finally I was asked to play from the top of the double decker bus. I was nervous, but played well and never forgot that moment. More recently, I played the Theatre at Hi Ibiza for Glitterbox; 7000 people looking back at you is pretty intimidating, there’s no feeling like it when it all works though!
You’re now a resident for Glitterbox – introduce us to all that sparkles in this!
GB is more than a club night, it’s turned itself into a lifestyle for so many people. “A safe & happy place, leave your cares & worries at the door”. A beautifully diverse and inclusive following. Our DJ’s include legends, new & upcoming talent, alongside the elite of drags, queens, voguers and dancers the world has to offer.
What could we expect from a Glitterbox gig?
True party vibes from start to finish, anthems alongside underground energy. Expect plenty of moments throughout the night! For me, clubbing became quite one dimensional, if it wasn’t deep and underground it wasn’t cool. GB changed that; we can enjoy uplifting songs at peak time in a club environment.
Best location you’ve performed at, and any spot on your wishlist?
Ibiza still carries so much magic, it’s always so special playing out there. I played a gig in Baja California in Mexico earlier this year, at the most unbelievable resort under the stars, I have to say that stands out too! Later this year I’m DJ’ing in a cave in Europe too, so wish me luck!
How has London club culture changed during your time, and where do you see it heading?
Previously there wasn’t space in a club for a DJ who wanted to play ‘songs’, everything was deep, dark and tracky. I travel a lot, everywhere I go I see more and more kids who are thirsty simply for great music. There’s a dope movement of underground DJ’s playing African Disco, it’s so beautiful to see kids lapping this up, music that actually inspires dance and movement.
Festival season is on its way – what’s your best live music memory, and most epic story too?
Hands down, Paul Trouble Anderson at Suncebeat 2017. We sadly lost Trouble earlier this year, he is my favourite DJ of all time and this was the last time I got to see him, in good health, destroying a dance floor. RIP PTA.
Who would be on your dream line-up, even if it’s impossible/fictional?
See above, Paul Trouble Anderson, of course. Derrick Carter is up there, he is most DJ’s favourite DJ! I’d have Frankie Knuckles headlining though, the godfather!
You’ve got a slick style to match your musical mood – how would you sum it up?
Don’t make me blush Read more
May 13th, 2019
Norwegian producers Seeb have worked with the freshest talent, so it was only fair to track them down during a recent London stint. Here’s the friendly grilling on their enviable profession…
What’s a studio session with Seeb like?
We rarely have sessions anymore so it’s difficult to say, but when we do we try to have as much fun as possible. Of course we do work daily in the studio, but not so much in the traditional session. One example could be, we meet around 9 (we’re early birds) and then the other people in the session come an hour or so later. By then we’d have drunk a lot of coffee and been listening to music, trying to figure out the other people we are working with and what kind of music they like. Then a big lunch, and a few hours of going crazy experimenting on some guitar boxes or old vintage synths to come up with a basic but unique vibe or chord structure that we could build a song from. Then we just go from there. Key word is fun and not trying to write a song if it doesn’t come naturally.
What’s your downtime like outside of the studio?
For both of us it’s definitely time with our families, and then the outdoors. As we are lucky to have some great nature around here, we only have to go 15 minutes outside Oslo to find some pristine wilderness. Cycling, hiking, skiing or boat trips.
Expectation VS reality of being a successful DJ?
It is very different from all the generic slo-mo recap videos, pictures of private jets, champagne parties and all that empty nonsense. It’s basically a lot of work. Many young people these days try to become successful in music but the rules are still the same as in the old days. If you have a little bit of talent, you just have to put in the hours to achieve your goals, and a bit of luck goes a long way. If you want to become a proper DJ nothing beats experience and practice. We don’t consider ourselves as DJ´s but more musicians and producers.
It must be the ultimate rush performing sets to festival thousands – moments in life you shy away from though?
Well like going to the dentist – haha! There is a lot in life that can be scary or difficult but when you have kids you are forced to deal with many of these things in a way, and it’s good. It’s all about putting things in perspective, and putting yourself in relation to the bigger things in the Universe and realise that you are here in this life for a mere fraction of time. That makes it a bit easier to deal with the things you fear or are anxious about. It would be a waste of your life worrying about what will happen tomorrow or the next day as it could all end in a split second. There is no time for regrets.
Who would be on your ultimate festival line-up – the more obscure, impossible and fictional the better!
We never go to festivals unless we play there ourselves so that would probably be a bit obscure and not something that would attract a lot of people. But we would love to see Empire of the Sun live, then maybe Tame Impala followed by Florence and the Machine and for the headliner Cocteau Twins would reform and close the whole thing.
What’s new single Free to Go all about?
Don’t really want to explain too much of that as Ingrid Haavik sang and wrote the lyrics and she would have a better explanation than ours. To us anyway it’s about a place of mind, a feeling and it’s something that we tried to illustrate with the anime video we made for it with the talented people over at Eallin. Obviously it’s a relationship related song and a reminder that you shouldn’t take people and love for granted because you never know when they are gone. It’s a very emotional record to us and one we just had to put out.
You’ve worked with some incredible talent. How do these relationships with other artists happen?
They happen a bit at random but sometimes these people get in touch with us through social media or management. It’s quite normal these days to collaborate across musical genres and if you have a great tune that needs a top line or a vocal it’s so easy to get things to happen. In that sense people often work separately in their own spaces even on the same song but we, at least try to hang out and get to know the people we are working on records with as it makes everything so much more exciting and natural. Sometimes we also meet people at festivals and gigs and hang out, some them become friends.
We welcomed you with open arms to our Regent Street flagship – what did you pick out and make of Superdry?
It was a pleasure visiting the flagship store. We love the clothes, they fit our informal and sportive lifestyle well up here in the north. And our kids are all into it as well.
What does the rest of 2019 have in store for Seeb?
A lot of new releases, both remixes and in a few weeks a brand-new single in time for the summer. A few gigs here and there but this summer and fall we will mostly stay in the studio working on an EP we have planned for later this year.
FOLLOW SEEB ON INSTAGRAM HERE!
SEEB’S NEW SINGLE FADE OUT IS OUT THIS WEEK – PRE SAVE HERE!Read more
April 18th, 2019
Ice breaker alert – tell us a joke!
I used to be addicted to the hokey pokey but I turned myself around.
You’ve got an incredible resume, including stints on Broadway – introduce yourself as if your life is the script to a theatre spectacular!
HAZAAAH! Behold Kat Cunning. That’s Kat with a “K” like a human. She can do everything but cook and tell a joke off the cuff. She’s here, she’s queer, she’s hungry for a snack.
Comparisons and complete opposites between London and New York?
Both cities have iconic cabbies.
Your drivers know everything about the city and are always charming.
Your music is a beautiful concoction of sounds – sum it up if you may…
I used to have a blues/rock band and thought I’d never write pop but I had an epiphany when Beyonce’s “Beyonce” came out with the visual album. Not so long before that, I discovered James Blake. I think I realised that pop production can be warm and inventive, and it can elevate the story within the song. For me, it is all about story. If I don’t believe the words, I don’t want to sing them. The songs are also harnessed by my abilities as a singer. I have kind of a weird voice and was always told to keep my day job when I sang. It’s really liberating to write songs for my voice after a lifetime of being told it wasn’t an option and every Disney princess was a belting soprano.
Your shows offer much more than just the music – introduce us to your colourful, theatrical and immersive artistry world!
It’s my personal standard to put on a show instead of a “show and tell.” I don’t really think of my shows as particularly theatrical or outside the realm of any other produced concerts, but I suppose all my experience in immersive theatre and dance has shaped the way I want to relate to my audience. I want to have a real exchange with them, where they feel me intimately, and I try to give them a reason give the same back. I think of performance like film. You have a lense through which you see it. As a performer, I like to control the ability to let people zoom in and see me very vulnerably and zoom out to see the landscape of something they want to step into. I watch Beyoncé, Pink and Justin Timberlake’s hugely produced concerts and see the same design elements that elevate Broadway shows and the same things I’m bringing to my concerts. The only difference is I’m doing it on a dream, and with the help of a community that believes.
Talk to us about your new single Birds – what’s the story?
If you’ve heard it- you probably got the gist it’s not really about birds, but it was really helpful to make the pain that I was experiencing more universal with the metaphor of birds as my safety. I think it speaks to anyone that’s ever felt down, overwhelmed or misunderstood.
What bird is your closest spirit animal and why?
Pterodactyl? I actually don’t have any feelings about real birds. In “Birds” the birds are the villains. Very Hitchcock. I do, however, have a tattoo of one, because (I was 18 once) and the metaphor has always spoken to me. Birds fly and sing and are often caged. I feel strongly that I am meant to fly and use my voice.
You’re an incredible advocate for the LGBTQ community – what does pride mean to you?
Pride is necessary. LGBTQ people deserve the basic rights to thrive or mess up like everyone else. We are real people. Every marginalised person that is challenged doubles down in the face of adversity. You tell me I can’t be by my partner on her death bed, I’m going to shove rainbows in your face and kill you with the kindness and beauty of my community until you cave. Pride is a way of fighting for the basics. I am proud of who I am, and I am proud of the people to stand up beside me in any way they can.
How do you define beauty? Diversity. Ownership of one’s natural qualities, flaws and proclivities.
I’m attracted to body types, skin types and smiles that strike me as different from how we are told to look. Among my favourite beauties are Julia Roberts, Ashley Graham and Issa Rae. Princesses are everywhere.
You’re confident and loud in the best possible way, but what makes you shy?
I get tongue tied around people I respect, am attracted to and even my peers sometimes. I get nervous every time I perform. Being loud is actually my response to being shy a lot of the time.
If your tour rider had no money limits or a grasp on reality, what would it include?
Oysters, popcorn and human minions.
What makes you roll eye the most in life?
Apathy? People who roll their eyes…? My dad told me “never say I don’t care.” I’d rather have someone throw a hair dryer at me than roll their eyes.
You swung by Superdry on Regent Street, and it was lush! What did you pick out, and what’s your style vibe?
OMG I got so many cool things. I’m still rocking the big blush hoodie – I think that’s my favourite. They bodysuits are cute and so comfortable, and I love this bag to death. Keeps me sunny in the winter months.
What can we expect from Kat Cunning for the rest of 2019?
You can expect my DEBUT EP! And to see me as an actor in Trinkets on Netflix and the third/final season of HBO’s The Deuce! Playlist the tunes and connect on Instagram to get updates about an upcoming tour too!Read more